Artist Statement

The works in “Chekhov's Gun” are flat works on paper and ceramic sculptures, examining a set of objects from different mediums. The flat works came first.  I was searching for imagery that could support repeated use, provide a variety of subtypes, as well as imply architectural rigidity. I landed on a gun, the vast range of guns, and all of their components. After establishing formal parameters I considered the inherently contentious and political implications of firearms.  I asked myself, “How much would I need to manipulate this object to create a new meaning and reaction?”  The first flat works were formed with a unified idea of gravity - an implied sense of sculptural viability, albeit precarious and haphazard. Over time they evolved into organic forms and increasingly dynamic ecosystems. I wanted to approach the same object in three dimensions, using ceramic splicasting as a reiterative process rather than dismantling and redistributing a limited palette. By becoming tactile will they be perceived as more politically charged?  With the flat works it takes a moment to realize what is happening within the composition. The “guns”, less deconstructed and more animated, provoke a faster reaction it seems.  

I am curious to know how people perceive these images and objects.  I want to hear from a wide variety of people - to know how they respond and where their thoughts land.  I want the audience to enjoy the work.  I also want to know what they think.  

While I consider “Chekhov's Gun” critical in scope, it is not intended to be a critique of gun ownership itself.  I hope no one seeing the work feels alienated. I am looking forward to hearing all reactions. All points of view.”

Squibb wants to know how you perceive these images and objects.  Please record your thoughts (anonymously) with this online form.